Thought Piece #1
In pages xiii-62 of Hot Shoe Diaries by Joe McNally, it mainly focuses on specific gear, settings, and terminology. Reading this section is great for a beginner, but as someone who is an experienced photographer, I found that it was an overload of information. A lot of the stuff is useful, but a large chunk of it was mostly tid-bits that the author would add for comedic effect. That being said, I learned a lot from these pages because it helped me understand the settings on my camera, and when I should be using them. I have a good understanding of how my camera works, but learning about how to control an on camera flash, using aperture and shutter priority mode, and exposure compensation are great things to learn when your photos feel stagnant and need a bit more pop to them. McNally talked about blinking highlights, which are very important when you are adjusting your exposure. It reminded me that I should turn on that setting on my camera because many of my photos are overexposed because I am worried about my shadows being too dark. I enjoyed learning these little tricks to help me improve my work, because lately I have been feeling like I am stuck in a rut. By using these new tools that McNally has described, I feel like I can tackle harder scenes and expand my portfolio more. One of the things that stuck with me the most in this part of the reading, is at the very beginning section, McNally talks about how without light, there would be no photography. This reminded me that photo means light, and graphy is the measurement/recording of it. Photography is basically just a recording of light. Without it, there can be no photos. Back when I was at College for Creative Studies, we learned about the Camera Obscura in my darkroom class. The Camera Obscura is a room with a little pinhole in it that lets in a very small amount of light. With that little pinhole, the scene that is behind it can be seen on the wall opposite of the pinhole upside-down and backwards. Just thinking about how that tiny little pinhole is able to help people see a photograph is so interesting to me. It reminds me that photography is a science that can be explored in a multitude of ways. People are still discovering new things about photography. A recent trend I have been noticing people do in the analog photo world is soaking your film in different chemicals to see how it affects your photos. I have seen people use bleach, citrus from fruits, gasoline, and a bunch of other things. Experimentation means excellence, and photography has such a wide range of unexplored things that you can never get bored of it. By reading about these different terms and settings on my camera, I feel that I am better equipped to experiment with my photography. Touching up on terminology is never a bad idea for gaining some more confidence behind the camera. Although the reading itself is boring, being knowledgeable about the subject of photography will help me feel confident and comfortable in experiment with different styles, and become the best photographer I can be.
Thought Piece #2
While reading pages 63 through 149 of Hot Shoe Diaries by Joe McNally, I appreciated all the insight from real world experiences that the author had. Each section was filled with all the settings he used, what gear he had, and his thought process behind each photoshoot. I thought that this would be a great resource to look back on in the event that I would be doing a photoshoot similar to him. I will admit that reading through it was boring in itself, but having this resource to look back on can be very helpful for an amateur photographer who is looking into getting to know how to learn location lighting. Each photoshoot is very different from all the others, and it provides insight on many different scenes. My favorite photoshoot in this section was on pages 129-133. These are the photos where he was present during a brain surgery. National Geographic had asked him to be there during the surgery, and he took some photos that I thought were revolutionary. My favorite photo is where he utilizes the light coming from the overhead lamp as the girl is passed out on the operating table. It is a very vulnerable moment right before the surgery happened, and you can feel the tension radiating from the image. The lights act as a spotlight and they highlight her head, and her bruised arm. It really shows how tiny she is, and how big and important the situation must feel for the people operating on her. Another one of my favorite photoshoots he did was on pages 98 through 101. In this scene, the photos were looking really flat when he was at the correct exposure indicated by his camera. Instead of sticking with the lighting that was given to him, he gets out some artificial lights and makes the scene super dramatic. He makes the lights look like the sun during a sunset, which creates this effect on the photo that makes it look super warm, and pretty badass. What I liked about this section is the author deciding that the natural light at the scene wasn’t good enough, so he worked on the fly to create a scene that would actually be cool to view. This can also inspire other photographers to not take “no” for an answer, and think outside of the box to create something grand out of something that looks kinda bleh. My least favorite part of this section was the photoshoot on pages 94 through 97. This one I felt that it was just very situational and it wasn’t really necessary in the grand scheme of the whole section. Overall I thought this section was useful and I will probably look back on it for some photoshoot inspiration, in the event that I am having trouble brainstorming an idea for myself.